42nd Street

A TAMS-WITMARK TITLE

42nd Street

Full-Length Musical, Comedy  /  7w, 6m plus ensemble

Music by Harry Warren
Lyrics by Al Dubin
Book by Michael Stewart & Mark Bramble
Based on the Novel by Bradford Ropes

Original Direction and Dances by Gower Champion / Originally Produced on Broadway by David Merrick

The ultimate show-biz musical! 42nd Street celebrates Broadway, Times Square and the people who make the magic of musical theatre.

Image: Chris Bennion

  • Cast Size
    Cast Size
    7w, 6m plus ensemble
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Romantic Comedy
  • Audience
    Target Audience
    Appropriate for All Audiences
Accolades
Accolades
  • Winner! Two 1981 Tony Awards, including Best Musical
    Winner! Two 1981 Drama Desk Awards
    Winner! 1981 Theatre World Award (Wanda Richert)
    Winner! Two 2001 Tony Awards, including Best Revival
    Winner! 2001 Drama Desk Award for Outstanding Revival of a Musical

Details

Summary
Come along and listen to the lullaby of Broadway! 42nd Street celebrates Broadway, Times Square and the magic of show biz with wit, humor and pizzazz. At the height of the Great Depression, aspiring chorus girl Peggy Sawyer comes to the big city from Allentown PA, and soon lands her first big job in the ensemble of a glitzy new Broadway show. But just before opening night, the leading lady breaks her ankle. Will Peggy be able to step in and become a star? The score is chock-full of Broadway standards, including "You're Getting To Be A Habit With Me," "Dames," "We're In the Money," "Lullaby of Broadway," "Shuffle Off to Buffalo" and "Forty-Second Street."
History
42nd Street opened on Broadway at the Winter Garden Theatre on August 25, 1980, starring Wanda Richert, Jerry Orbach, and Tammy Grimes. The production eventually moved to the Majestic and St. James Theatres, ultimately running for 3,486 performances. In 2001, the first Broadway revival of 42nd Street ran for 1,524 performances at the Ford Center for the Performing Arts, starring Kate Levering, Michael Cumpsty, and Christine Ebersole.

Act I

In New York City in 1933, dance director Andy Lee auditions kids for the chorus of a new show called Pretty Lady ("Audition"). The show's writers, Bert and Maggie, like what they see on stage, but they warn the dancers that at $4.40 per seat, the audience will demand some spectacular dancing. Young hopeful Peggy Sawyer arrives late, just missing the audition. Billy, the show's romantic lead, helps her see the producer, Julian Marsh ("Young and Healthy"). Julian has no patience for latecomers, and Peggy rushes off the stage. Julian tells Bert and Maggie he's worried about some of the cast, especially Dorothy Brock, the leading lady. Her last hit was ten years earlier, but her sugar daddy, Abner Dillon, is backing the show. When Dorothy and Abner arrive, Julian suggests that Dorothy audition. Abner reminds Julian that Dorothy does not have to try out for anyone, but Dorothy sings anyway ("Shadow Waltz").

Realizing she has forgotten her purse, Peggy returns to the stage. Maggie invites her to lunch with three of the girls, and the five women dance off stage. As they settle in at the Gypsy Tea Kettle, the girls are astonished by Peggy's naïveté. They amusingly explain the Broadway facts of life, and dance back to the theatre ("Go into Your Dance"). The number evolves into an audition for Peggy, who impresses Julian and lands a job in the chorus.

Dorothy and Billy begin rehearsing their big love scene. Abner objects to their kissing and insists they shake hands instead ("You're Getting to be a Habit With Me"). Peggy, weak and overcome by an exciting day, faints on stage. She is carried to Dorothy's dressing room, where Pat Denning, Dorothy's real boyfriend, is waiting. Dorothy walks in, and misreading what she sees, thinks that Pat is two-timing her. Julian suggests that Pat leave town.

The company packs up for previews in Philadelphia ("Getting Out of Town"), and dress rehearsals begin ("Dames"). After rehearsal, Peggy invites Julian to join her at an impromptu cast party. Captivated by her charm, Julian decides to go. Dorothy, who misses Pat, drinks a bit too much, and tells Abner to take his money and leave. Abner is ready to close the show, but the kids talk him out of it. Pretty Lady opens spectacularly with "We're In the Money." But when Dorothy rushes onstage for the Act I finale, Peggy accidentally knocks her down, injuring her leg. Julian, furious, fires Peggy and cancels the rest of the performance.

Act II

The second act opens with a doctor telling Julian that Dorothy's ankle is broken. Julian says he will close Pretty Lady for good, but the cast won't give up ("Sunny Side to Every Situation"). The cast thinks that Peggy can save the day, and Julian finally agrees. Peggy has already left for the train station, so Julian rushes after her. Telling her to "think of musical comedy, the most glorious words in the English language," Julian convinces Peggy to return ("Lullaby of Broadway").

Peggy has exactly 36 hours to learn 25 pages, 6 songs, and 10 dance numbers. As Julian says, by the next evening, he'll have "either a live leading lady or a dead chorus girl!" At long last, the Broadway curtain opens on Pretty Lady ("Shuffle Off to Buffalo"). The show is a spectacular hit, and Peggy Sawyer is a sudden sensation. Julian leads the entire company in celebrating the glory of "Forty-Second Street."

PRINCIPALS
(4 female; 3 male)

Dorothy Brock (Range: Eb3-B4) – An established Broadway star
Peggy Sawyer (Range: Eb3-E5) – Young, talented and hopeful
Maggie Jones (Range: Ab3-Bb4) – Co-author of Pretty Lady
Ann Reilly "Anytime Annie" (Range: Ab3-Bb4) – Chorus girl, sub-principal of Pretty Lady
Julian Marsh (Range: D3-Ab4) – Broadway director/producer
Billy Lawlor (Range: C#3-A4) – Juvenile lead of Pretty Lady
Bert Barry
(Range: C3-D4) – Co-author of Pretty Lady

FEATURED ROLES (from Chorus)
(3 female; 3 male)

Phyllis Dale — chorus girl
Lorraine Flemming — chorus girl
Gladys — chorus girl; singer, non-speaking
Andy Lee — dance director (Range: D3-Db4)
Pat Denning — former vaudeville partner of Dorothy’s (Range: D3-Eb4)
Abner Dillon — “angel” for Pretty Lady (Range: Gb3-D4)

SUPPORTING ROLES

Diane Lorimer — chorus girl
Ethel — chorus girl
Oscar — rehearsal pianist
Mac — stage manager
Frankie — stagehand
Young Man with Clipboard — stagehand
2 Thugs — employees of gangster Nick Murphy; one of them non-speaking
Doctor — Philadelphia theatre physician
Waiter — Gypsy Tea Kettle employee
Millie — dancer; non-speaking
Willard — theatre electrician; non-speaking
Robin — dancer; non-speaking
2 Policemen — dancers; non-speaking
Pickpocket/Thief — dancer; non-speaking
Young Soldier — dancer; non-speaking
Gangster — dancer; non-speaking
Conductor — the music director of the theatre pit orchestra; non-speaking

ENSEMBLE

Various Kids’ Voices
Theatre Personnel
Singers and Dancers of the Chorus

The original Broadway production had a cast of 48 performers, including chorus. Some doubling was employed in the minor parts.

  • Time Period 1930s
  • Setting New York City and Philadelphia. 1933.
  • Features Period Costumes
  • Duration More than 120 minutes (2 hours)

Media

“An old-fashioned glamour musical that kept on giving when others would have called it quits.” – Ann Treneman, The Times

“Gower Champion’s final display of blazing theatrical fireworks.” – Frank Rich, The New York Times

“Dazzling and deliriously joyous...From the costumes and choreography to the divine melodies, deliciously smart lyrics and hugely talented cast, this show has glories to spare.” – Stefan Kyriazis, The Daily Express

“An American classic... ‘Hear the beat of dancing feet’... It’s an extraordinary, spine-tingling sound... size is absolutely everything in this shiny, streamlined homage to a vanished world of razzmatazz.” – Dominic Cavendish, The Telegraph

“Mesmerising! From the opening moments of 42nd Street you know you are in for a good night.” – Quentin Letts, The Daily Mail

“As American as a McDonald’s apple pie, a steaming, golden spectacle of showbiz glamour... this show socks you over the head with good old-fashioned spectacle.” – Alice Saville, TimeOut London

Videos

  • 42nd Street at the London Palladium youtube thumbnail

    42nd Street at the London Palladium

  • "Lullaby of Broadway" with Jerry Orbach youtube thumbnail

    "Lullaby of Broadway" with Jerry Orbach

Photos

  • 42nd Street

    Image: Chris Bennion

  • 42nd Street

    Image: Chris Bennion

Music

Music Samples

Act I

1. Overture & Opening Act One – Orchestra & Dancers
2. “Young And Healthy” – Peggy & Billy
3. In Four: “Shadow Waltz” – Maggie
3a. In Three: “Shadow Waltz” – Dorothy
3b. Production: “Shadow Waltz” – Dorothy & Girls
3c. Reprise: “Shadow Waltz” – Dorothy
4. Scene Change: Go Into Your Dance – Orchestra
5. “Go Into Your Dance” – Maggie, Peggy, Annie, Phyllis, Lorraine & Andy
5a. Tag: Go Into Your Dance – Orchestra
6. “You’re Getting To Be A Habit With Me” – Dorothy
6a. Scene Change: You’re Getting To Be A Habit With Me – Orchestra
6b. Incidental: You’re Getting to Be A Habit With Me – Orchestra
7. “Getting Out Of Town” – Maggie, Bert, Pat & Chorus
8. “Dames” – Billy & Chorus
9. Scene Change/Underscore: You’re Getting to be a Habit with Me & Young and Healthy – Orchestra
10. “I Know Now” – Dorothy, Billy & Chorus
11. Intro/Underscore: We’re In the Money – Orchestra
11a. “We’re In The Money” – Annie, Phyllis, Lorraine, Peggy, Billy & Chorus
11b. Playoff: We’re In The Money – Orchestra
12. Act One Finale: Forty-Second Street – Orchestra
12a. Act One Finale Continued: “Forty-Second Street” – Dorothy

Act II

13. Entr’acte – Orchestra
14. “There’s A Sunny Side To Ev’ry Situation” – Annie & Chorus
14a. Incidental/Scene Change: There’s A Sunny Side To Ev’ry Situation – Orchestra
14b. Underscore: There’s A Sunny Side To Every Situation – Orchestra
14c. Scene Change: There’s A Sunny Side To Every Situation – Orchestra
15. “Lullaby Of Broadway” – Julian, Billy, Andy, Bert, Annie, Phyllis, Lorraine, Gladys, Maggie, Abner & Chorus
15a. Playoff: Lullaby of Broadway – Orchestra
16. Montage – Orchestra
17. Playoff: Dames – Orchestra
18. Scene Change: About A Quarter To Nine – Orchestra
19. “About A Quarter To Nine” – Dorothy & Peggy
19a. Playoff: About A Quarter To Nine – Orchestra
20. Pretty lady – Scene Change: Dames – Orchestra
21. “Shuffle Off To Buffalo” – Bert, Maggie, Annie & Girls
22. “Forty-Second Street” – Peggy & Dancers
23. Finale Act Two: “Forty Second Street” – Julian
24. Bows – Full Company
25. Exit Music – Orchestra

Alternative Song:
The song “I Only Have Eyes For You” can be added for an additional fee. If used, “I Only Have Eyes For You” replaces “I Know Now” at the end of Act I Scene 7 and beginning of Scene 8. Both songs have the same dialogue cut and replacement pages for the Libretto-Vocal and PC are provided in the song’s rental package.

25   Libretto-Vocal Book
1   Piano-Conductor

1   Reed 1 – Flute, Clarinet, Soprano Saxophone & Alto Saxophone
1   Reed 2 – Piccolo, Flute, Clarinet & Alto Saxophone
1   Reed 3 – Clarinet & Tenor Saxophone
1   Reed 4 – Clarinet & Tenor Saxophone
1   Reed 5 – Clarinet, Bass Clarinet & Baritone Saxophone
1   Horn
2   Trumpet 1&2 – 1st trumpet part includes optional double on Flügelhorn
1   Trumpet 3
1   Trombone 1
1   Trombone 2 – w/ Bass attachment
1   Percussion – Timpani (2 Drums), Bells, Xylophone, Wood Block, Triangle, Bass Drum, Snare Drum (Brushes & Sticks), Tom Toms (Several Sizes), Cymbals (Sus., Hi-Hat, Splash, Crash, Ride)
1   Piano – Pit Piano, Celeste & Stage Piano
1   Bass

Optional Parts:

1   Guitar – doubling Banjo
1   Harp
1   Optional Reed Substitute Synthesizer – This Synthesizer part takes the place of the original five reed parts in the orchestration for 42nd Street. It is written for an instrument with a five octave keyboard capable of five voice polyphonic music. In designing synthesizer sounds for this part remember that reed instruments have a blunt but not sharp or accented attack, a stead even sustain with very little vibrato, and an abrupt release with almost no decay. The part requires two distinct reed ensemble sounds:

Woodwind Ensemble – A mix of Piccolo, Flute, Clarinet & Bass Clarinet. There are no double reed instruments in the orchestration.
Saxophone Ensemble – A darker more opaque sound mix representing Soprano, Alto, Tenor, and Baritone Saxophones.


ALTERNATE SONG AVAILABLE:
The song "I Only Have Eyes For You" is available as a replacement for "I Know Now" for an additional fee. Contact your licensing representative for additional information.
  • Musical Style Classic Broadway, Jazz
  • Dance Requirements Moderate
  • Vocal DemandsModerate
  • Orchestra Size Large
  • Chorus Size Large

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

    Please submit a license request to determine availability.

    PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want. We will not be able to refund rental or shipping fees if you pay for the wrong version. If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
Full Package:
25   Libretto-Vocal Book
1   Piano-Conductor

1   Reed 1 – Flute, Clarinet, Soprano Saxophone & Alto Saxophone
1   Reed 2 – Piccolo, Flute, Clarinet & Alto Saxophone
1   Reed 3 – Clarinet & Tenor Saxophone
1   Reed 4 – Clarinet & Tenor Saxophone
1   Reed 5 – Clarinet, Bass Clarinet & Baritone Saxophone
1   Horn
2   Trumpet 1&2 – 1st trumpet part includes optional double on Flügelhorn
1   Trumpet 3
1   Trombone 1
1   Trombone 2 – w/ Bass attachment
1   Percussion – Timpani (2 Drums), Bells, Xylophone, Wood Block, Triangle, Bass Drum, Snare Drum (Brushes & Sticks), Tom Toms (Several Sizes), Cymbals (Sus., Hi-Hat, Splash, Crash, Ride)
1   Piano – Pit Piano, Celeste & Stage Piano
1   Bass

Optional Parts:

1   Guitar – doubling Banjo
1   Harp
1   Reed Substitute Synthesizer – Covers the music for the five reeds


ALTERNATE SONG AVAILABLE (Both packages):
The song "I Only Have Eyes For You" is available as a replacement for "I Know Now" for an additional fee. Contact your licensing representative for additional information.

25   Libretto-Vocal Book
1   Piano-Conductor

ALTERNATE SONG AVAILABLE (Both packages):
The song "I Only Have Eyes For You" is available as a replacement for "I Know Now" for an additional fee. Contact your licensing representative for additional information.

Add-Ons

Take a look below at how you can enhance your show!

Authors

Harry Warren

Harry Warren (1893-1981) and his writing partner Al Dubin were legendary tunesmiths, both as a team and as individuals. Between the two, their prodigious careers spanned six decades. Warren & Dubin wrote several Broadway musicals and revues, including White Lights (1927) and ...

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Al Dubin

Al Dubin (1891-1945) and his writing partner Harry Warren were legendary tunesmiths, both as a team and as individuals. Between the two, their prodigious careers spanned six decades. Warren & Dubin wrote several Broadway musicals and revues, including White Lights (1927) and ...

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Michael Stewart

Michael Stewart (1924-1987) scored on Broadway the first time when he won a Tony Award for his Bye Bye Birdie libretto. He was the librettist for Carnival (Drama Critics Circle Award) and Hello, Dolly!, which earned him both a Tony and Drama Critics prize. Stewart also wrote ...

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Mark Bramble

Mark Bramble was nominated for a 2001 Tony Award for his work on 42nd Street. He began his theatrical career working for David Merrick. He directed 42nd Street in London, Tokyo, Sydney and Amsterdam and is the author of Barnum (Tony Award nomination for Best Book and Best Mus ...

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Author

Bradford Ropes

Gower Champion

Gower Champion, director and choreographer of original 42nd Street, was awarded the Tony Award for Best Choreography for 42nd Street and also won the Dramatists Desk Award in the same category. His name is synonymous with some of the greatest musicals in Broadway history: He ...

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